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UNA SERA
Una sera (A Night), is a series of photograph captured on a 120mm camera in Dungeness, a desert area in the south of England at the beginning of September 2020. As the landscape was absurd and desolated, my gaze, impregnated with melancholy, found a way to mirror my inner geography in the land. I threw myself in the space surrounding, from light to dark, finding desolation around myself and ruins inside my body.
The lighthouses, that ships use for navigation reference, were also the landmarks that my eye used to navigate this journey, both the tangible and the intangible one. All the certainties of a landscape made of physical objects that silently emerge from the cold soil, looses its traces when the darkness arises from the horizon.
The land and its entities become blurry while the night eats them alive, revealing their intrinsic sorrowful state of being. The only light that remains available to my gaze and to my lens is the one from the lighthouses that will be soon suffocated by the darkness while still starving from oxygen to survive in my deserted heart.
BLU
Is it visual what we perceive through sight or is it something more? Lewitt in Sentences on Conceptual Art states that “If words are used, and they proceed from ideas about art, then they are art and not literature; numbers are not mathematics”(1969, p.4).
Is it visual what we perceive through sight or is it something more? Lewitt in Sentences on Conceptual Art states that “If words are used, and they proceed from ideas about art, then they are art and not literature; numbers are not mathematics”(1969, p.4).
IN THE ARTIST'S STUDIO
We used to drink our tears
We used to tear apart our Earthly bodies
Looking for wisdom
Looking for tenderness
Looking for sunrises
In the neon dusk of the cube
A compendium of thoughts
Even if
I am still trying to understand what was real, and what was not
We thought we got lost
and indeed we all became
bodies without organs.
VOID
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